What makes you beautiful david guetta

I hate it. And yes, absolutely, I remember putting out "Titanium" and being so scared. Do you remember what the campaign was and what kind of resources were put behind it? This tells you everything: look at the video. The video is a cheap video, because we didn't think it was going to be such a big smash. I don't know how many views has [Ed. Do you consider your own legacy -- what it will be, and how it stands currently?

It's interesting that you ask this question, because I just sold my catalog to Warner. It's true that I'm very attached to [ Nothing But The Beat ], but I really believe that I can make a new catalog that is going to be as good and as important as my previous one. With "Titanium" and "Without You" and "Play Hard" and all those records, it was really a moment where dance music crossed over to pop.

In a certain way, because success is so addictive, I started to be obsessed with commercial success, like every artist that has touched that at some point. I feel like for a moment, I kind of lost myself. In the last two years I was like, "You know what?

I just want to focus on my foundations again. It's very interesting, because after doing that, when I came back with pop music again, it was more successful than I've been in probably the last five years. It was crazy to have four records in the top 40 at the same time. So my feeling is it's like -- probably in the same way that in hip hop where they're doing mixtapes to keep the street credibility -- it's the same in dance music.

It's amazing to cross over, but it's also dangerous, because you easily can start to live in fear instead of living in passion. You just live in fear of of not being number one anymore. What I mean is that you can have a huge career like him without hits, and this is what I've been doing in the two last years, and my demand went up incredibly, because my sound was not only credible, but also influential again in my community in terms of inspiring other DJs and producers.

Nothing But The Beat was maybe the peak of my career on a pop level, but after that I was not as happy as before, and I was not as happy as I am now.

I think Avicii went through this, and I think probably every big artist that goes to No. It's like the biggest achievement of your life, but at the same time, happiness is more about the journey than about the destination. So when you're there, you like, "OK, and now what? It was kind of a reset this year for me. I've done a kind of a reset of everything, and I feel like I'm in a new dynamic of that whole journey again.

It's fantastic, and it's very successful, so it's very exciting. I feel 20 years old again. It's interesting what you're saying about Future Rave reestablishing you in the dance music community, after your previous successes had pushed you so far into pop.

All the other big DJs started to -- I can say copy and it's not even insulting, because I embrace it -- copy this sound that we created. It's amazing, because for me, pop success is very important, but I was always in dance music because dance music was a reaction to pop music. When I started to be a DJ, it was because I didn't want to play or listen to what was on the radio, I wanted to create my own message.

I wanted to create my own style. So for me, being able to do this again is as important as having "Titanium," you know? You mentioned selling your catalog.

Why was this the right time to do that? Well, it's honestly really crazy, because I had no idea it had so much value. I kept my masters, just because I'm a very organized person and I like controlling every aspect of my work. I was never signed as an artist; it was always a license deal since day one, because I would deliver a final product to the company, but I didn't even want the record label to be able to even pick the singles. I don't know if you noticed, or you probably know because you work at Billboard , but a lot of big investment funds are heavily investing in buying catalogs.

I had no idea, and I was approached by one of those funds with a huge number and was like, "Huh? I just happened to own my masters almost by accident.

When they gave that number, I told my partner who does all the business for me, like, "Look around a little bit and see. This is crazy. So it was good, because I haven't been able to tour for a year-and-a-half, so I could still buy some new sneakers.

Oh no, it took us like, a year of negotiation. But again, for me, I'm so confident in the future that I'm really not scared to do that. There was a speech for the entire group of executives around the world; we did a big Zoom call with 50 people or something, and I was like, "See you in seven years for the next one. I love it. Yeah, I mean, amazing place.

Amazing place. Of course, in 20 years, I've been through ups and downs, and yeah, I'm in one of the best places I've been, because I feel as excited as when I started. I feel super creative. I feel culturally relevant in my community, which is very important for me. The difference is that this time, I don't have to worry about how am I going to pay my rent if it doesn't work.

It's amazing to be able to feel creative, feel inspired, make new music, take risks, but at the same time, it's an easy risk because you know you're going to eat anyways.

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