Why is waiting for godot as tragicomedy

Pozzo has no regard for the feelings of Lucky as he considers that such creatures should be killed. Another tragic keynote in this play is the rule of despair which is vividly portrayed through the characters of tramps, especially Estragon. They repeatedly say, "Nothing to be done" a staple sentence of this play. The suggestion of Estragon to hang themselves is an intense show of their despair. Thus, adding a tragic flavour to the particular play. Consequently, it is difficult to consider this play a tragedy or a comedy as a whole.

As Beckett has himself chosen the genre of tragicomedy for this play, Waiting for Godot is rightfully a tragicomedy, a mixture of both. Jump to. It's worse than being at the theatre.

The circus. The music-hall. Where are your boots? I must have thrown them away. Estragon I don't know. Estragon Exasperated. I don't know why I don't know! No, I mean why did you throw them away? Tags Modern Drama. Order custom essay Waiting for Godot As a Tragicomedy with free plagiarism report. However, although there is humour in the topic, there are too tragic concepts with the results of the hanging being getting an erection or death.

There is a heavy sense of satire comedy through the play Godot; the high ridicule of social class is endless with Gogo and Didi as the unwise, dirty tramps that live in ditches and Pozzo as the foolish, stuck up rich ruler with Lucky the animal like slave. The sense of satire causes the Superiority effect which is the idea we laugh because we feel superior to those in the play.

We see this where Estragon tells Vladimir he spent the night in a ditch and was beaten up. This made it easier to create the feeling of Superiority Beckett has provided through the two personae of Didi and Gogo. So even though it was comical, one cannot deny that sleeping in a ditch and getting attacked is also tragic. Often our laughter at a comedy involves a feeling of release in response to the transgression of some rule of social conduct acted out by the performer.

For example the character Lucky is drawn from Tragedy. Being treated as a literal animal because he is a servant, Lucky not only supports the tragic concept but contributes to the stock character of the silly old fool being played by Pozzo.

Lucky is the first to appear followed by the rope around his neck and then Pozzo. We laugh at Pozzo because of his foolishness, ignorance and over-exaggeration. What do you say? It can be assumed that Pozzo is lonely. Whatever it is Pozzo takes a while before leaving making up a number of reasons why he should stay. I would suggest that there is a definite source of both genres however his character is used more for the comic feel.

This gain suggests the play is tragic. Vladimir, Estragon, Pozzo, Lucky and the boy, all represent mankind whilst Godot , it appears, represents the ethereal, the unknown. Hence, they have freewill to make their life better. They can come out of this situation and can give their lives a meaning but they do nothing.

Waiting for Godot Themes. Godot represents salvation for Vladimir and Estragon. Their lives have become unbearable, marred by homelessness, poverty, and suicidal thoughts, and the figure of Godot seems to hold some promise of redemption or hope, even though Vladimir and Estragon have forgotten what they asked of Godot. Why is Waiting for Godot called an absurd play? They are not introduced to the audience. We know only their names and their miserable situation. What is waiting for Godot satirizing?

Samuel Beckett embraces the idea that religion is absurd, irrational and pointless. He portrays those views through his play Waiting For Godot. Beckett uses the characters in Waiting For Godot to depict his satirical, existentialist views on religion.

Beckett uses Godot as a vengeful savior to Estragon and Vladimir. Why do Vladimir and Estragon want to hang themselves? The tramps resent that they need to be requested whether or not it nonetheless hurts.

It goes with out saying that it hurts on a regular basis. When Vladimir asks Estragon whether or not his boots are hurting him, he responds:. Somewhat later Estragon asks Vladimir about his kidney trouble and the latter replies in the identical phrases. There is a world of negation through which inactivity is the most secure course; as Estragon says:. The tramps reside on the barest stage of existence. Carrot, turnips and radishes are all they need to eat. The scenario of Lucky is sort of pathetic, particularly in view of his wonderful past, as Pozzo describes it.

His speech tells us that in his sonar moments Lucky will need to have brooded deeply over the anguish of the human situation. Estragon and Vladimir are waiting for somebody who never comes. In order to move time they take pleasure in irrelevant, meaningless activity. The aspect of power fades away and depressing situation of man looms massive in our creativeness. Their life might be in contrast with that of a prisoner for whom there is no such thing as an escape, even suicide is inconceivable.

Every activity is a mockery of human existence. The altering of farce into absurdity brings a variety of tragic sentiment within the play. The absurd living is a serious source of tragedy.